1992 gay film
The new minute short film follows Martin (Louis Duneton), a seventeen-year-old student who and spends the majority of his second behind a video camera, recording everything everything that catches his eye. One day, he meets an older man named Dominique (Matthieu Dessertine), who works as a watchman at his institution. After their first encounter, Martin seems to only have eyes for his new crush.
Examining infatuations, the frustrations of adolescence, father-son conflict, first-time sexual experiences and the way being a same-sex attracted teen has changed from the early &#;90s to now, director Anthony Doncque&#;s period piece is provocative and brutally truth. The film depicts a warts-and-all sex scene between a teen and a twenty-something that should ring familiar to any or us who came of age pre-internet.
Louis Duneton and Matthieu Dessertine give committed, completely fearless performances and Doncque stands out as a talented director worth keeping an eye on.
You can see now on Dekkoo. Just be warned: the film features scenes of graphic sexuality. Viewer discretion is advised.
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Martin is seventeen and spends all day recording everything with his Hi8 camera. One day Martin meets Dominique, who works as a watchman at his school.
&#;&#; is a brief film directed by Anthony Doncque that explores the coming-of-age story of Martin, a year-old teen who develops a romantic attraction to Dominique, a watchman at his institution. Through the lens of Martin&#;s handheld Hi8 camera, the film captures his emotional journey as he navigates his burgeoning sexuality and the complexities of love.
The film is set in the year , and the nostalgic ambiance of the era is reflected in its cinematography, soundtrack, and overall aesthetic. The use of the Hi8 camera adds a feeling of intimacy and immediacy to the storytelling, immersing the audience in Martin&#;s perspective.
As Martin becomes increasingly infatuated with Dominique, he starts to document their interactions through his camera, blurring the lines between existence and fantasy. He finds solace in his observations, using the camera as a way to process his e
Dallas Lesbian and Gay Movie Festival
Our project focuses on the Dallas Lesbian and Gay Film Festival and aims to analyze its impact. We will open by examining the articulate of film in the late ’80s and prior ’90s then move on to the inaugural festival in Lastly, we provide an overview of the festival and explore its effects on the community.
The festival was the second of its kind in Dallas and aimed to promote unity through sensible portrayals of queer individuals through independent film. A festival setting like this is often the only way that these independent films are shown to the public, all the films selected had never premiered in Dallas before. At the time, mainstream media often presented stereotypical and shallow depictions of queer individuals, the only way to fill theaters and turn a benefit was to cater to the non-queer masses.
Teenage Temptations, Desires &#; Fantasies Are All Explored in Anthony Doncque&#;s &#;&#;
So often, when we see cinematic portrayals of romantic relationships between teenagers and adults they are shrouded with a sense of abstinence as if that relationship shouldn&#;t be happening. What Anthony Doncque does in , is guide us through one of these romances from the perspective of Martin, a teenager experiencing romantic desires for a teaching assistant at his school. We stay shut to Martin and observe through his perspective. The film is interplayed with footage the director shot when he was 17 years old with his first camera, suggesting an autobiographical link between Martin and Doncque. We spoke with Doncque about teenage crave, perspective and autobiographical filmmaking whilst played the BFI Flare film festival last month.
Where did the idea for arrive from?
At the very first stage, there were several hours of Hi8 video images I shot when I was a teenager. Thanks to my first summer job, I bought my first camera. I was 17 years old and started film